In just four short years, the Walk a Golden Mile in My Shoes Contest, produced by ETA’s Martin Fox and Michael King, has firmly established its reputation and status – as Europe’s largest Elvis contest and convention, offering the UK and Europe’s most coveted ETA crown. Open to ETA’s world-wide, and attracting an increasing roster of talented ETA’s, growing numbers of fans, and extensive media coverage, the annual contest has become “the place to be” and, by all accounts, this year’s sold-out event was a resounding success -- earning two thumbs up from guest performers, contestants, and fans alike. Read on!
Although it hardly seemed that a year had passed, it was a pleasure to be back in Blackpool, England again, along with Canadian ETA Roy LeBlanc, one of this year’s guest performers. As Elvis fans ourselves, first and foremost, we appreciated being at a well-organized event where the personal touch remains, where contest standards are higher every year, and where Elvis and his music are rightfully celebrated and acknowledged with respect.
The host hotel was the beautiful Big Blue on Blackpool’s Golden Mile, where we met up with co-producers Martin Fox and Michael King, Butch & Kim Polston of B & K Enterprises, APEPTA’s EPDJ Paul Smith, guest performer ETA Paul Richie, and his son Steve Rushton (talented 19-year-old bassist/lead vocalist with Britain’s fast rising Son of Dork Band – be sure to check www.sonofdork.com/site.php). Meanwhile, other ETA’s and fans were starting to arrive and, before long, the hotel was bustling with activity.
To house growing numbers of contestants and fans, the entire event had moved this year to the larger Horseshoe Lounge, located in the world-famous Pleasure Beach complex, where last year’s finals had been held. Walking distance from the Big Blue, the Horseshoe, with its Vegas-style ambience, tiered table seating, and large stage complete with walkway, was a perfect “step up.” By mid-day Friday, there was already a buzz of excitement as contestants registered, and ETA’s and friends met up again while browsing the B & K costume and jewellery displays, Marshall King’s ETA supplies, and the memorabilia tables.
Among those returning were Images of the King 2005 winner, Mario Kombou; 2006 Grand Champ, Kjell Bjornestad; UK ETA pioneer Big Jim White; along with contestants Paul Molloy, Babis Stefanopolous, Willard Ford, Rob Kingsley, Lewis Hill, Patrick Byrne, Ray Siberini, Adam King, Marshall King, Derek Jones, Paul Rouse, Oliver Steinhoff, Neil McLaughlin, John Fleming, Peter Sisman – to name only a few. It was also good to see hard-working DJ Ste Smith, and emcee Jay
Ashton, other members of the Contest Team, along with Bernadine and Marie (aka “the Rottweilers” for their diligence in manning the doors!).
There were many new contestants this year, too, making for a vibrant and interesting mix of ETA’s and their fans of all ages – from England, Ireland, Scotland, Wales, Spain, Gibraltar, Slovenia, Germany, Norway, the USA, Sweden, Canada and more – another tangible reminder of the lasting impact Elvis’ music has had around the world. Newcomers (at least to me) included: Radeck von Goldmann, Simon Patrick, Paul Larcombe, Deke Rivers, Simon Henley, Peter O’Callaghan, Garry John, Steve Caprice, Shayne Prince, Ciaran Houlihan, Klaus Kohlpaintner (Dr. Kingsize), Shaky Everett, Jailhouse King (Mario), Mike Nova, Tim Bassett, Danny Allan, Mark Dobbs, G. Singh, and Mark Summers.
All together, there would be about 60 ETA’s vying for the title of Grand Champion 2007, with additional entrants slated for novice and gospel contests.
There would also be Elvis discos, challenging Elvis trivia contests, Elvis videos, and more. All Elvis, all the time!
THE GUEST PERFORMERS
By 4 pm Friday, the seats were full, the stage was ready – visually impressive with Graceland music gates and “smoke” through which performers could make their entrance – and it was time for emcee Jay Ashton to introduce Paul Richie and The Rockettes who kicked off the weekend’s entertainment, setting an upbeat tone with good old rock ‘n’ roll songs by Elvis, Roy Orbison, Eddie Cochrane, Jerry Lee, and more. Throughout the three days there were more entertaining 60-minute showcases by other guest performers, including ETA tributes from Richard Atkins, Roy LeBlanc, Mario Kombou, Big Jim White, Martin Fox, Michael King & the Presley Showband, and Kjell Bjornestad. Rock ‘n’ roller Colin Paul sang a great selection of Elvis songs in his own style, followed by a few well-delivered songs from Billy Dean, who came up on stage. For further details on each guest performer, check: http://www.ladyluckmusic.com/radio/features/blackpool-07/
THE MAIN CONTEST HEATS
The main contest heats (preliminaries) started on Friday night, and continued throughout the afternoon and evening on Saturday. Each of the three heats featured approximately 20 contestants, and each heat was an entertaining showcase in itself, thoroughly enjoyed by the audiences. Before long it was evident that the contest was going to be tighter than ever and the judges were going to have a genuinely tough job scoring just l5 for the Sunday night finals, based on vocals, delivery, presence, and authenticity.
The heats featured an array of contestants - ranging from established ETA’s to talented young newcomers. Compared to some contests, there were fewer ETA’s at the “lower end of the scale,” so to speak, making for a higher level of competition
throughout.
The ETA’s brought “Elvis” to their performances through a combination of vocals, appearance, stage presence, persona, soul, subtle humour, and showmanship.
There was also a good mix of eras being portrayed – 50's, Army, Movie, ‘68 Comeback, and Concert years -- which made the heats all the more interesting and entertaining. The quality and variety of costumes for all the eras (especially the dazzling array of jumpsuits worn by the “concert years” ETA’s) was about the best I’ve seen at any contest, and the majority of the contestants were impeccably dressed, taking their appearance seriously.
Each and every ETA made every effort to give a respectful, authentic performance that didn’t let Elvis, themselves, or the audience down.
But what impressed me the most overall were the vocals – it was a pleasure to listen to Elvis’ songs sung well by many knowledgeable ETA’s who knew Elvis’ music and who could sing. As it should be.
I also noticed discerning fans in the audience acknowledging the occasional so-so vocals or lacklustre performance with polite applause, while good vocals and accurate, entertaining performances earned their cheers of approval. As it also should be.
CAMARADERIE
Having said that the audience was a discerning one, it must also be said that everyone present – fans, non-competing ETA’s, organizers, producers, guest performers, and volunteers -- comprised one of the most enthusiastic and supportive audiences ever, encouraging the newcomers and making each ETA feel welcome and appreciated.
The camaraderie amongst the ETA contestants themselves was also remarkable, with the newcomers, and those who were experiencing nerves backstage, again being encouraged, with no “rank” being pulled or cliquishness and arrogance being displayed. It was evident that the ETA’s genuinely enjoyed being at this event, interacting, networking, and being supportive of each other. That there were so many new faces this year, with many interesting, and enthusiastic people from all over the world, made for a genuinely friendly atmosphere.
Each night, after the contest heats and guest entertainment had finished, the parties moved back to the Big Blue, and the Queen’s Hotel also, where fans and ETA’s mingled for more camaraderie, sing-songs, laughter and fun – lasting until the early morning hours.
THE FINALISTS
By Sunday, contestants were awaiting the posting of names to see which l5 had moved on to the finals, and cheers could be heard from the audience when it was announced that there had been a tie resulting in l9 finalists. As one ETA had said earlier, “How on earth can the judges pick only l5 out of this lineup of contestants” – and he was right!
The finalists (in order of performance determined by picking numbers out of a drum) were: Paul Larcombe, Paul Molloy, Paul Rouse, Patrick Byrne, Oliver Steinhoff, Radeck von Goldmann, Marshall King, Danny Allen, Simon Patrick, Babis Stefanopolous, Adam King, Rob Kingsley, Klaus Kohlpaintner (Dr. Kingsize), Steve Caprice, Shayne Prince, Lewis Hill, Simon Henley, Ciaran Houlihan, and Mike Nova (representing England, Germany, Slovenia, Scotland, Wales, and Ireland).
THE NOVICE CONTEST
Sunday also featured a novice contest and a beautiful singing performance from young Caitlin Dobbs (daughter of ETA Mark Dobbs) who sang “Don’t Cry Daddy,” bringing tears to the eyes of many. There were delightful performances from l4-year-old Cordel Roper, 10-year-old Alfie Sayers, and a good “debut performance” from approximately l0 novice adult contestants. Cheers erupted when emcee Mike Rossi announced the novice winner as Graham Phillips. Congratulations to Graham, who blew the room away with his voice. There were also cheers when young Cordel spoke into the microphone saying that he admired Elvis because he was “The Man.” Well said, Cordel! (on another note, I don’t think Cordel knows this but I was also impressed when I saw him putting his arm around 10-year Alfie, wishing him good luck before the contest started).
THE PRESS
On Sunday, the European press were rounding up ETA’s for photo shoots and interviews outside (thanks by the way to Kjell Bjornestad and Rob Kingsley for kindly stopping to pose for a quick pic while they were being chased down the street by a melee of photographers and fans!).
....while, inside, co-organizer Martin Fox took to the stage for his enjoyable showcase of gospel songs, which was a perfect lead-in to a brand-new-this-year gospel contest.
THE GOSPEL CONTEST
The afternoon gospel contest was well attended and much appreciated. Each of the contestants delivered heartfelt, inspirational performances and we heard some strong vocal talent, once again earning cheers of approval – but it wouldn’t be until the end of the evening that the winner would be announced.
THE FINALS
This year, the finalists also ranged from seasoned, established ETA’s to up-and-coming bright young talent. Some had made the finals the previous year, while, for others it was their first time as a finalist or even competing in a major competition. Again, each one contributed to a thoroughly entertaining contestant showcase.
Choosing either backing tracks or to perform with the awesome Presley Showband and Sweet Sensations backup singers, each ETA sang two songs – and again was judged on vocals, delivery, presence, and overall authenticity, starting from “scratch” with none of the scores from the previous heats carrying over. The audience, which had been supportive throughout the weekend, outdid itself with applause and cheers after each good performance.
After the competition and while the contestants were assembling backstage, with preparations being made for the awards to be given out, the 2006 Champion, Norway’s Kjell Bjornestad, entertained the crowd for the last showcase of the weekend.
Then, with all the finalists on stage, along with Martin Fox, Michael King and emcees Jay Ashton and Mike Rossi, the winners were announced – with deafening cheers from the audience after each name was called. Winning the contest and the title of 2007 Grand Champion, was Oliver Steinhoff from Germany. In second place, was Simon Patrick from England and, in third place, Rob Kingsley, from Scotland. The winner of the gospel contest was Shayne Prince. Congratulations to all!
Stepping into the winner’s spotlight, Oliver Steinhoff, with characteristic grace and sincerity, acknowledged Elvis Presley, his fellow ETA’s, and the hard-working sound man whom he brought front and centre for a big hug and round of applause. Then, amid a flash of cameras, with fans crowding the stage, and Oliver leading the ETA’s in one last song, the 2007 contest officially came to a close.
Congratulations to all the finalists for a job well done, and to all the contestants for an exciting contest and a weekend’s worth of thoroughly enjoyable entertainment.
Soon it was time for the after-hours get-togethers to also come to a close, with a final “farewell” party at the Big Blue, where ETA’s and friends celebrated, mixed and mingled, saying their goodbyes with a touch of sadness -- but already looking forward with great enthusiasm to next year!
Kudos to producers Martin Fox & Michael King, Paul Smith, Steve Smith, Jay Ashton, Mike Rossi, Simone and Sioned, Bernadine and Marie and to all those who worked behind the scenes, for a job extremely well done!
Details & Updates:
For details regarding the annual Walk a Golden Mile In My Shoes Contest and brand new Ultimate Elvis contest preliminary, check:
www.elviscontest.co.uk
www.elvis.com/ultimatecontest/
Photo credits
Special thanks to: ETAs Peter O’Callaghan, Paul Richie & son Steve Rushton, Rob Kingsley; Paul Larcombe; photographer, Daniela Vagt; and fans Judith, Les & Lil, Tom & Joan, Helen, Debbie, Barbara and Carole.
Carol@ladyluckmusic.com