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Elvis Tribute Artists Radio |

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One of the first questions asked of Dan is how he finds ETA’s or how do they find him? He says that he receives a number of unsolicited promo packs each week (i.e. ETA’s sending in material in the hopes that they will be contacted). As far as finding ETA’s at contests, he says he shies away from the contests and doesn’t attend them, but keeps his ear to the ground so that he’s informed about any ETA who might seem to have good potential. |
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Dan has been connected to the “Elvis market” and to top ETA’s since the early 70's. He’s also been connected to Legends in Concert. In addition, he is a long-time musician and guitarist, who plays in his own showband ,The Fabulous Ambassadors. He says that being on stage performing behind various ETA’s over the years, has been a tremendous advantage to him in managing and marketing ETA’s as he’s been able to see how the audience reacts, what it is they react to, and what works and what doesn’t. He has also seen how different artists bring out emotional reactions from the audience. |
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This month’s interview between Dan Lentino and Joanna Johnson was originally broadcast in September 2000. |
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In this interview, Dan gives valuable insight as to what he looks for in an Elvis tribute artist. He also gives great advice to ETA’s related to promo packages, honing their talents, what audiences are looking for, and so on. |
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Dan in action hosting the Ottawa Elvis Fest 2003 |
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When asked about tracks vs. live bands, Dan notes that up until the last 5-10 years, most ETA’s had great difficulty finding good bands that could play “Elvis music” as it should be played, and which would help them to get more into character on stage – also, most theatre settings wouldn’t accept tracks alone. But changes in technology and the development of good quality karaoke tracks, have made it much easier for ETA’s to find music to complement their performances, and to play in a wider range of venues without necessarily having a band. |
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As far as promotional materials, Dan advises that it isn’t necessary to have a highly professional promo pack to mail to him. He looks for the “raw entertainer” and the “raw talent” when he’s viewing videos and listening to audio samples. He does say, however, that ETA’s should choose their photos carefully and only submit and use the photos that look the most like Elvis. |
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Dan Lentino in the Birthday Tour 2003 |
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